[fullwidth backgroundcolor=”” backgroundimage=”” backgroundrepeat=”no-repeat” backgroundposition=”left top” backgroundattachment=”scroll” video_webm=”” video_mp4=”” video_ogv=”” video_preview_image=”” overlay_color=”” overlay_opacity=”0.5″ video_mute=”yes” video_loop=”yes” fade=”no” bordersize=”0px” bordercolor=”” borderstyle=”” paddingtop=”0px” paddingbottom=”0px” paddingleft=”0px” paddingright=”0px” menu_anchor=”” equal_height_columns=”no” hundred_percent=”no” class=”” id=””][three_fourth last=”no” spacing=”yes” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” border_size=”0px” border_color=”” border_style=”” padding=”” class=”” id=””][title size=”1″ content_align=”left” style_type=”single” sep_color=”#ffffff” class=”” id=””]Pedagogy Talk Sessions[/title]

The Case for Chamber Music with Tom Rosenberg

Thomas Rosenberg is nationally known as a dynamic performer, chamber music coach, and teacher. A resident of Saint Paul, Minnesota, he is currently on the faculties of Macalester College, Carleton College and the McNally Smith College of Music teaching cello and coaching chamber music and has served as String Chamber Music Coordinator and primary coach for the University of Minnesota School of Music. He also maintains a busy private studio of pre-college cellists and chamber ensembles featuring many of the regions most outstanding young artists. Former teaching assistant to renowned cellists and artist-teachers Paul Katz and Laurence Lesser, Tom is recipient of the 2003-4 “Master Studio Teacher Award” from the Minnesota chapter of the American String Teachers Association and has also been named “Arts Educator of the Year” by the Michigan-Indiana Arts and Sciences Council .

Since 1981, he has been Artistic Director of the prestigious Fischoff National Chamber Music Competition (www.Fischoff.org) through which he is a recipient of the 2007 Indiana Governor’s Arts Award, the highest honor in the arts from that state. He has led chamber music “informances” to audiences around the US, and has recently presented a series of lectures on the Beethoven String Quartets. During the summers he teaches and coaches at music centers such as the Tanglewood Institute, The Quartet Program where he has also been Associate Director, Icicle Creek, Bravo, the Midwest Young Artists Summer Chamber Music Camp and the Green Lake Chamber Music Festival. This spring he was invited to give masterclasses at The Cleveland Institute of Music, The Oberlin Conservatory, Baldwin-Wallace Conservatory, Ohio State University, The Columbus Chamber Music Connection and Suzuki Program, and The Interlochen Arts Academy.

Mr. Rosenberg presented “The Case for Chamber Music” on  Friday, April 27, 2012 from 10 am- Noon at the Schmidt Music Store in Roseville.

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Pedagogy Talk Sessions are held upon request and/or in alternate years. At this time, the Board of Directors is pursuing the offering of other types of courses.

CLICK HERE to contact us with your request or if you would like to assist in producing a session.

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What is a Suzuki Pedagogy Talk Session?

Pedagogy is the science and art of Suzuki education. Its aims range from the full development of the human being to skills acquisition. The Suzuki method has enabled many children to play music to a high standard. Substantial numbers of Suzuki trained students have indeed become highly acclaimed professional musicians. However, the training of professionals is not the main aim: the emphasis throughout is on the development of the whole child, on education through music. Dr Suzuki himself always said that his wish was to foster the human qualities in the child. At every opportunity he called on politicians, teachers and parents to ensure that the full potential of every child is developed.

Source: International Suzuki Association

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